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    • To Tell The Truth (Freemantle Syndication) December 31, 2009
      Back in November 2000, I was a very unusual TV impostor who fooled Paula Poundstone, Cindy Margolis and an entire studio audience, earning me a $1,400 paycheck for one afternoon of work. Earlier that year, I had been filmed regularly in public for weeks, successfully posing as a woman, fooling everyone, for a TV pilot which [...]
    • Spontaneity December 30, 2009
      A delicate blend of preparation and spontaneity One of the skills I used while shooting A Taste For Danger last spring in Burbank and Northridge was making lines that we had rehearsed, shot several times and even altered seem to be spontaneous. There’s nothing special about me; all film actors must APPEAR to be thinking and speaking [...]
    • The Visitor (Chapman Univ) December 29, 2009
      After a late-night shoot in Las Vegas kept me up nearly to dawn back in March 2009, I got a really cool phone call from a young director at Chapman University in Los Angeles. I had been on set in Las Vegas until 5:15am, had slept in until noon and was working lines for the pages [...]
    • Ground Zero (KR Films) December 28, 2009
      I admit: I understood three words while working on the Indian film, Ground Zero one day in May 2009. The three words were: SILENCE! ACTION! and LARYCREW! (Larycrew was their attempt to pronounce my name.) Thanks to Gary at HollyBolly Casting, I was booked for a full day as one of four security guards on the feature [...]
    • Changes, minds and props December 26, 2009
      There can be no drama without conflict or change, damn it! All Drama IS Conflict. Conflict is the heart of drama and without it, there’s no story. When characters are in conflict with one another in a film, the audience is drawn to it. A scene that plays from beginning to end on one level, be [...]
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